Exhibition ‘Ornamental’ in Tallinn Art Hall, 2014.
Kinetic object, metal, welding.

Multidimensionality of the world, mental maze of connections, ornamental sequence of recurrences. Again and again indigenous folklore rises from the ashes like a tilting doll. Its patterns or perhaps letters emerge to human mind from the unspeakable depths and the vast expanses of space regardless of miscellaneous wars, genocide, and self-inflicted fashion of communities. Those letters draw people back to the forest, sanctuaries, to restoring grandparents’ farmsteads, to archives and libraries seeking for old folklore texts. The emergence of these letters is not predictable nor directed; they are like a genetic code that finds its solution in a totally unexpected way and time.