Tallinn Creative Hub, Tallinn, 2011. Co-authors: Eneken Maripuu, Kristiina Saks. DNA code and the chamber of Nordic folk have amazingly similar shape; symbolically even the content when to imagine the structure of the chamber endlessly running its course through heaven and earth, or when interrupting the code with one apparent interval.
Tamula Lake, Võru, 2013. Sand sculpture. Culture is like sand that crumbles between our fingers in the course of time and nevertheless possesses the tilting doll phenomenon by shifting up once and again the fashion and the notions of the whole society. Mythical thinking, old patterns, and philosophies have not vanished regardless of what kind of outrage and destruction different nations have had to withstand.
A present for Krishnaites, 1994.Oak. A stair made out of oak that originates from Konstfack; engraved in it is Srila Prabhupada mantra:om purnam adah purnam idampurnat purnam udacyatepurnasya purnam adayapurnam evavasisyate om–the complete whole; purnam–perfectly complete; adah–that; purnam– perfectly complete; idam–this phenomenal world; purnat–from the all-perfect; purnam–complete unit; udacyate–is produced; purnasya–of the complete whole; purnam–completely, all; adaya–having been taken away; purnam–the complete balance; eva–even; avasisyate–is remaining.
The roof of Linnahall, Tallinn, 2006 The highest monument (7 meters) in Estonia which was custom made and in relation to customer’s bankruptcy disappeared without a trace. The author and builders were left unpaid and in certainty that the piece has been sold as metal waste. In 2013 the monument was coincidentally found from Kilingi-Nõmme forest. It stood on the shore of a beautiful lake where it finally had reached after various twists and turns. All is well that ends well. Kalev was made with the support of Hansanova Ltd
Solo exhibition ‘Zero’, gallery Vaal, Tallinn, 1994. International exhibition ‘Man and woman’, The Museum of New Art in Pärnu, 1995. Tallinn Art Hall, 2015 Plaster